Feather Flores

I work on books that model honest and open-hearted ways of existing in the world.

I am committed to championing voice-driven stories by, about, and for people from marginalized communities. Whether fiction or nonfiction, I’m drawn to stories that depict the beauty and diversity of the human experience: the humor, the complexity, the curiosity, the magic. Anything that encourages young readers (especially queer readers and readers of color) to be more fully and unapologetically themselves, I want to see it.

I aim for every book on my list to be a source of hope and comfort in its own way. From coming-of-age contemporaries to sweeping interstellar romances, I acquire books that let readers come as they are, within whose pages it is safe to explore thoughts, feelings, and experiences away from the stakes of the real world. We all deserve spaces that hold us, heal us, and empower us—and this is especially true for readers whose communities traditional publishing has historically reduced to stereotypes or monoliths (when they’ve been reflected at all). With each book I edit, I hope to instill in young readers a sense of their own agency and significance—as well as the knowledge that they are never alone.

This wish list is updated concurrently with the MSWL page on my website. Feel free to reference whichever format you find more accessible.

Formats and General Taste

I acquire upmarket books with high-concept plots, nuanced themes, and arresting prose. My projects straddle the line between literary and commercial: books with enough hook to intrigue consumers on premise alone, that then deliver deeply memorable, beautifully-executed reading experiences. Across the board, my biggest considerations are always character (do they come alive on the page?), voice (is it atmospheric and compulsively readable?), and emotional depth (does it make my heart hurt/soar/sing? do the threads and themes build to something satisfying?)—in other words, how a story is told. This wishlist clarifies what a successful telling looks like for me, as well as detailing the premises, themes, and narrative elements I find most compelling with respect to what a story is about. The more of these present in any given project, the more likely I’ll fall in love with it.

Format-wise, I edit both fiction and nonfiction projects for the following audiences:

• Picture book (ages 4-9)
• Middle grade
• Young adult
• Graphic novel (all ages)

In nonfiction and history, I gravitate to stories about art and science, the natural world, and the experiences of people of marginalized identities. Narrative and visual nonfiction projects (including compendiums and collections with gift appeal) tend to resonate with me the strongest. In fiction, I look for stories with a compelling voice and a solid command of the reader’s emotional response, with any topic welcome. Here’s how I conceptualize my taste, roughly, in each format:

Picture Books: Richly layered with meaning and heart. Inviting, evocative, and warm—whether informative (e.g. Playing at the Border), clever (e.g. Leave Me Alone!), or poignant (e.g. Watercress).

Middle Grade: Expansive, immersive stories of discovery, friendship, and adventure. Honest yet hopeful, especially in science fiction and fantasy (e.g. The Last Cuentista), contemporary (e.g. Front Desk), historical (e.g. Esperanza Rising), and blends thereof.

Young Adult: Character-driven, emotionally resonant stories of testing limits, redefining possible, and becoming. Propulsive, irresistible prose with themes of improving self-knowledge and finding a place in the world, whether leaning into genre (e.g. Six of Crows), evoking a lush literary feel (e.g. We Deserve Monuments), or landing somewhere in between (e.g. Last Night at the Telegraph Club).

Graphic Novels: Distinctive and visually dazzling, across all age ranges. Think cozy fantasy; slice-of-life contemporary; whirlwind road trips and travel stories; and ambitious, immersive journeys across space and time.

Not For Me

I am generally not the right editor for books in the following genres, or that center the following content:

• Dystopian
• Horror (I love spooky, I don’t love creepy)
• Thrillers, or anything where suspense is the genre rather than an aspect of the telling (psychological fiction is not my thing)
• Military themes (unless in speculative genres, and then only very selectively)
• Trauma-focused narratives that are dark and heavy without relief
• Ongoing abuse or assault as a central plot point
• Disordered eating, heavy drug use, suicide, self-harm, or gang/gun violence as a central plot point
• Picture books motivated by “lessons” or morals
• Purely educational or purely humorous (slapstick, punny) picture books
• Picture books where straightforward early concepts (counting, colors, shapes, etc.) are the core hook

Favorite Elements and Themes

• • Clever and unexpected humor (I’m a huge fan of irony)
  • Strong, healthy relationships of every sort
  • Supportive communities, friends, and found family (I love an ensemble cast!)
  • Heritage, family history, and cultural traditions—and all the feelings that come with them
  • Celebration of anything special to a story’s characters (identity, choices, memories, individuality, you name it)
  • Imperfect families: people who do their best to love and uplift each other, even when doing so gets messy and complicated
  • Explorations of belonging, being in-between, and navigating a blend of identities/cultures (especially when there are no easy answers)
  • Figuring things out as you go, making things up on the fly, putting out good intentions and hoping for the best (basically, big Aries vibes)
  • Multicultural casts of three-dimensional, fully-realized characters (more Black and brown characters written by Black and brown creators!)
  • Radical empowerment, however the characters themselves understand it—developments that feel right for them in the context of their story
  • Realistic and person-first depictions of trauma, disability, and mental health conditions that don’t center an impulse to “fix” (Acceptance! Normalization! Self-compassion!)
  • Inclusive world-building, especially in fantasy and science fiction (More anti-imperial, anti-capitalist, and anti-war themes! More lore that upends stereotypes and biases!)
  • Food in absolutely any form (Cooking and baking! Gardening and farming! Explorations of food justice, history, politics, community, and cultural ties to cuisine!)
  • Believable, pitch-perfect dialogue that shapes tone and pace (Banter and snark! Dry wit and flirty subtext! Meaningful pauses, well-timed reactions, voices so real you almost hear them!)
  • Stories that blur, challenge, and reimagine the boundaries of genre (I am all about driving genre fiction like you stole it—and I tend to love stories pitched as “part X, part Y, part Z”)

Stories I’m Specifically Seeking

Because of my own background and identities, I am always especially excited to acquire queer stories, stories from the Latine diaspora, and stories that feature characters with invisible and/or mental illnesses.

More General:

• Mixed-race perspectives (always and forever)
• Multigenerational family stories
• Guilty pleasures and cozy comfort reads
• Fun, frivolous, whimsical romps and adventures
• Stories that explore the impact of immigration, migration, and displacement
• Queer joy!!! Broadly, stories that create space for people across the entire LGBTQIAP+ spectrum to exist, rest, heal, and celebrate
• Global perspectives, especially contemporary and historical fiction set outside North America
• Romances (either incidental or core to plot) between two or more characters of color
• Narratives rooted in fat activism and body liberation (more joyful stories with fat protagonists please!)
• Fresh, genre-bending takes on mythology, folklore, legends, and magical realism (particularly from Indigenous and non-European cultures)
• Lush historical fiction, whether well- or little-known, that centers marginalized perspectives (especially those most impacted by colonialism and imperialism)
• Novels in verse, as well as novels told through letters/emails/lists, from alternating POVs, across different time periods, etc.—any approach that plays with narrative or visual form
• Low-stakes, slice-of-life stories across all genres, but especially in high fantasy (think Legends & Lattes, Diana Wynne Jones, Becky Chambers—everyday protagonists in extraordinary worlds) and historical fiction
• Activism that is meaningful and personal to a story’s characters and/or creators, ideally as a supporting or background plot element
• Dynamics with tension simmering under the surface: think opposites attracting, unlikely or reluctant alliances, keeping up false pretenses (fake dating, anyone?), and more!
• Anything infused with a sense of everyday wonder, magic, and possibility—a feeling that the world is bigger than previously thought—across all ages and genres
• Narratives that center characters of color owning their agency, reclaiming their stories, and upending structures of power and oppression—whether through acts that seem epic (taking down the system) or ordinary (continuing to exist, and thrive, in a world that wishes otherwise)
• Stories with “unlikeable” characters (and/or antiheroes, and/or characters who handle their situations poorly) in whom readers from historically marginalized communities can see themselves and relate
• Anything with the energy of my favorites (see sidebar)

More Specific:

• Bucket-list conceits with a fresh twist
• All things solarpunk (especially in speculative genres)
• Atmospheric, gentle fantasy stories in the vein of Studio Ghibli
• Angry, fed-up girls and nonbinary folks who are done taking shit
• Creatures, gods, and spirits from non-European cultures (dragons!!!)
• Autistic and neurodivergent characters being heroes, front and center
• Indigenous perspectives—in any genre, but especially fantasy and speculative
• High society historical settings with queer characters and characters of color (mystery, romantasy, you name it)
• Something smart, suspenseful, and heist-y—ideally with themes of reparation—in the vein of Portrait of a Thief
• Friendship stories with Sisterhood of the Traveling Pants energy and a fresh conceit, starring queer characters and characters of color
• Tween stories starring characters of color and queer characters—give me the next Princess Diaries or I’d Tell You I Love You, But Then I’d Have to Kill You, but with a fresh conceit and a stand-out voice
• An affirming BIPOC travel story, set outside North America, for readers who love Casey McQuiston or Crying in H Mart
• A road trip romance with the vibes of Amy & Roger’s Epic Detour or 13 Little Blue Envelopes, ideally with queer leads
• People of marginalized genders exploring, foraging, and ultimately delighting in the outdoors
• Something that centers the perspectives of farm workers, whether in the past or present day
• Something with a lakeside setting—summer or otherwise—that’s central to plot, but not grounded in affluent experiences
• Stories that explore language—and its limitations—with an emphasis on connection (think Drawn Together or Himawari House) or self-knowledge
• Narratives, whether fictional or memoir, that center around the protagonist’s experience of returning to an ancestral home
• Stories with strong seasonal settings: flowering springs, scorching summers, crisp autumns, cozy winters, etc.
• A protagonist in a big family with lots of siblings (think Love Sugar Magic or Wild Beauty)
• Agatha Christie-esque mysteries (murder or otherwise) with charm and intricate, well-plotted twists
• Stories with adoptee protagonists in which the primary plot is not searching for or reuniting with a family of origin
• Witchery, brujería, magical realism, and magic rooted in nature (I especially love healing, botanical, and food magic)
• Both fiction and nonfiction narratives with food central to the premise (Bakery! Tea shop! Cafe! Food truck! Please note that I see so many submissions organized around a cooking competition, and I’m likely to go in skeptical—but I’d be glad to be proved wrong)

Submission Guidelines

Agented manuscripts and dummies only, please. I am unable to accept unsolicited manuscripts directly from authors; aside from submission opportunities through conferences, I’m afraid there are no exceptions. Cold emails will always go unread.

If you are an agented author with a manuscript that matches what I’m looking for, please have your agent submit it to me via email. In all other cases, please know that I wish you the very best of luck in your publishing journey, and that I hope to see your project come my way someday!

A note for agents: While you may submit simultaneously to multiple editors at Simon & Schuster, please do your best to send your submission to only one editor at a time (and if you do submit to more than one of us, please let us know this in your pitch email). Regardless of how widely you submit within S&S, only one of us will offer. You may find our editor selector site a useful resource to consult when preparing sub lists. Many thanks—we all appreciate it!

Guidelines & Details