Diana M. Pho

[updated November 2024]

About Me: [she/her] I am a Hugo Award-winning developmental editor, public speaker, podcast producer, and all-around nerd, specializing in audio, narrative, and sequential storytelling. My previous jobs include editorial at the Tor Publishing Group and Lead Creative Executive for Co-Productions & Partnerships at the podcast studio Realm. I’m currently Editorial Director at Erewhon Books.

I’ve had the pleasure of working with household names like George R. R. Martin and the Robert Jordan estate for The Wheel of Time, as well as critically acclaimed writers such as Bethany C. Morrow, P. Djèlí Clark, H.A. Clarke, Seth Dickinson, Lara Elena Donnelly, K. A. Doore, Margaret Killjoy, Nadia Shammas, Benjamin A. Wilgus, and Zalika Reid-Benta, among others. Books I’ve edited have won the Thriller Award (A.J. Hartley’s Steeplejack, for Best Young Adult), the Ditmar Award (Thoraiya Dyer’s Crossroads of Canopy, for Best Novel), the American Library Association’s Alex Award (P. Djèlí Clark’s The Black God’s Drums), the Nebula Award (P. Djèlí Clark’s Ring Shout & A Master of Djinn) and a Kirkus Best Book of the Year Selection (Marie Miranda Cruz’s Everlasting Nora, for Middle Grade). Recent accolades include Monika Kim’s The Eyes Are the Best Part (Time Magazine’s Best 100 Books of the Year; GoodReads Choice Awards finalist) and Metal from Heaven by August Clarke (PW‘s Best SFF of the Year; Washington Post‘s Best SFF of the Year).

I’m also a three-time Hugo Award finalist (winning for Best Editor, Long-Form in 2021), two-time the Ignyte Award finalist, and a two-time Locus Award finalist for my editorial work.

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I am actively seeking full-length adult prose novels across the range of speculative fiction.

What I always look for in a manuscript: My editorial tastes veer toward upmarket commercial fiction with an accessible hook. I want stories that are unapologetically noisy, tackle chewy sociopolitical conversations, and impact the wider pop culture conversation. Must haves include:

• Vibrant voice
• Strong emotional core
• Layered world-building
• Complex characters
• Nuanced relationships
• Forward-moving plots
• Queer love is love!
• Anything with a punk / alternative edge
• Can make me cry at least twice and laugh three times
• Top on my priority list is promoting multicultural narratives with authentic characters that portray experiences from marginalized perspectives—whether they encompass gender, gender presentation, sexuality, race/ethnicity, body type, neurodivergent, socioeconomic class, religious status, or disability. I’m especially interested in supporting marginalized writers.

Agents can also refer to my Publishers Marketplace profile for recent deals.

What I’m currently into:

Book length: I do not edit “doorstopper” fiction (anything over approximately 120K words). That being the case, I’m not very interested in epic fantasy or huge space opera stories. However, I am seeking shorter novels (anything at least 50K).

Science Fiction:  Near-future, space adventure, cyberpunk, afrofuturism, transhumanism or the singularity, and climate science fiction. I’d also be interested in mainstream fiction with a speculative edge.  Subjects I will read endlessly about include transhumanism, virtual realities, time travel, the multiverse, climate utopias (as in “We can save the world with science & good politics!”), cyberpunk multinational futures, and innovative escapist space adventures. Space opera is a hard sell for me.

Fantasy: I fall in love with worldbuilding as much as characters, especially fantasy stories that are strongly rooted in history. Strong aesthetics or “city as character” are my weaknesses. Contemporary fantasy, high fantasy, dark fantasy, romantic fantasy/ romantasy, cozy fantasy with a memorable voice, and fairy-tale-retellings are at the top of my list.  I have a soft spot for Russian-inspired fiction and other non-Western settings.  

Horror: My horror tastes fall under the “small h” rather than “die-hard Horror”: literary with a twisted speculative touch, supernatural, occult, gothic, dark sci-fi, new weird, pulp with a modern twist. (Also, Bruce Campbell is a horror genre of his own — you can fight me on this!)  Anything that reminds me of Gravity Falls, Stranger Things, or Over the Garden Wall will get my attention. Other horror writers I enjoy include Tananarive Due, Stephen Graham Jones, Josh Malerman, Paul Tremblay, and Amy Lukavics.

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About Erewhon:

EREWHON BOOKS is an imprint of Kensington Books that focuses on novel-length works of speculative fiction: science fiction, fantasy, horror, and related genres.

At Erewhon, our mission is to publish thoughtful, groundbreaking, and unforgettable books that go straight to the reader’s heart. Erewhon Books celebrate the unique, diverse, and underrepresented identities and communities of the world we live in, all through the lens of entertaining, thought-provoking, and risk-taking speculative fiction.

We strive to be inclusive, community-oriented, and to prioritize safety for all. We support our readers, authors, and staff from a variety of backgrounds and experiences, especially historically underprivileged and underserved ones. To our community of readers, whether you come to us looking for yourself or looking for a window into the other worlds, you will always be welcome here.

Submissions should be emailed to submissions@erewhonbooks.com

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